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On my Q&A Zoom call yesterday with some Ari’s Take Academy students, one of them was lamenting about hiring publicists in the past and being very disappointed with the results. If you’ve ever hired a publicist as an emerging artist, I would imagine you feel the same. 

It’s no secret that AI music-making tools have made their way into the music production zeitgeist. Whether assistive or fully generative, AI is now capable of helping more and more people make music. But are artists actually using it? A study by LANDR suggests that they are.

The use of AI in music production has grown massively in recent years, and it shows no signs of slowing down. But this has also changed the game when it comes to music distribution and streaming.

DistroKid announced the launch of Direct — a new direct-to-fan platform that expands the company’s offerings beyond audio and video distribution.

Let’s get this out of the way: if you have music on Spotify, Apple Music, or any other digital streaming platform, you are probably missing out on publishing royalties. 

When it comes to music distribution, LANDR stands out as a service designed to deliver music to streaming platforms and fully streamline the modern independent artist’s workflow.

One question we hear songwriters, producers, and artists ask all the time is “why do I need a music publisher if I’m a member of a PRO?”. It’s a fair question.

Musicians can now effortlessly set up a customized, commission-free online storefront using Bandzoogle’s new Merch Table Lite plan—without building a full website.

Just how much distribution can be done on a phone? According to Too Lost, the answer is pretty much everything.

The following was developed in collaboration with Groover, a company Ari’s Take is proud to be partnering with. When you purchase from links on this page, we may earn an affiliate commission. PR is changing: Alternatives for Today's Indie Artists In...