I was going to write an entire post about the world of music PR and discuss when it's time to get a publicist and what you should expect to pay and WHAT THEY DO (most musicians have no idea), but I figured why not just interview a successful music publicist (and one who I have wo...
I know basic US music copyright law. I mean, I'm no lawyer, but I studied it in college and just spent a couple hours on the US Copyright website to brush up. Technically as soon as you put your song in a fixed form (paper, cd, digital counts - performing it does not) then it's c...
I once organized a show with a manager of a band in a city where I had a sizable draw. The show was pitched to me by the manager as a great opportunity for me to get in front of many new fans and make a good amount of money. He told me his band brought 550 to their CD release. I...
If you're the leader of your band (I imagine you are because you're reading this), you can't force your members to do business duties they really don't want to do. Evaluate everyone's strengths and get them to do the jobs that they enjoy doing. Yes, everyone needs to contribute t...
Once you get to know your scene better you'll notice that the gatekeepers at the top are friends with each other and they talk. If the top promoter in the city likes you and respects you then he'll tell the venue he works most with and also the music editor of the newspaper as we...
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