The New Music Business
Handling Your Music Finances From a Business Manager and Accountant
This week on the New Music Business, I spoke with Pink Noise’s business manager Khloe Churko, alongside tax preparer and fellow podcaster Stephanie Belcher. We dive deep into the weeds of music industry finances including bookkeeping, 1099s, LLCs versus S Corps, DBAs, how PROs pay artists, and so much more!
How Trousdale Went From 0 to 1M Listeners in 1 Year Independently
Trousdale is a pop-folk trio born out of the USC's popular music program, consisting of band members Quinn D'Andrea, Georgia Greene and Lauren Jones. In this episode of the New Music Business, we discussed what their creation process entails, self-producing their last releases, as well as how they stayed productive during the pandemic and successfully embraced TikTok.
How & Why To Put Music Videos on Vevo
Over the past two decades, David’s work as a performer, talent scout, publicist, and programmer has led him to work closely with an enormous range of artists from the emerging to superstars, playing a pivotal role in artist development and content strategy. With indie rock quartet The Middle Eight from 2007-2016, David performed hundreds of shows, most memorably at The Kennedy Center in DC and in the major motion picture ‘The Rebound.' Most recently, his work as Head of Artist & Label Relations at Vevo has helped to shed light on some of the most talented new artists working today.
Disney Music Supervisor on Placing Music for Trailers
Brian Vickers works on the in-house trailer department at Disney, which they call "The Hive." He's worked on a number of Disney films, including The Avengers, Star Wars: The Last Jedi & The Rise of Skywalker, Black Panther, Soul, Hamilton, Frozen II, Black is King.
Twitch VP of Music: $50K+/yr Only Takes 183 Fans
My guest today is Tracy Patrick Chan. He is currently the Head of Music at Twitch. He is the top honcho; the dude; he's the guy in charge of the direction of all things music at Twitch. He started at Twitch at the beginning of the pandemic in early 2020.
Victoria Canal on Releasing Music During COVID and Staying Inspired
Victoria Canal and I discuss how she's been handling quarantine. 2020 was supposed to be her breakout year. She had two massive tours scheduled. She had just finished one supporting the band Tall Heights. Then she leveled up to an even bigger tour supporting Leslie Odom Jr. She also just came out with her EP, 'Victoria,' and as you can imagine, the release strategy changed quite a bit. So we talked about that.
How California Musicians Got F’d (and Now Relief) Under AB5
The music community got a major win when California governor Gavin Newsom signed AB2257 into law, the bill I and so many others, namely the organization I helped found, Independent Music Professionals United, helped write and get passed to save the California music economy from collapse.
Platinum Selling Producer / Songwriter for Drake, Travis Scott, Halsey, Khalid – Rogét Chahayed
Rogét Chahayed is a Grammy-nominated producer and songwriter whose songs have sold over 30 million copies. He's worked with some of the biggest names in the business, including Halsey, Travis Scott, Drake, Miguel, G-Eazy, Ke$ha, Calvin Harris, Carly Rae Jepsen, and more. I talk with him and his manager, Greg Katz, to get the production side as well as the business side.
Emily Kinney on the Art and Business of Acting and Music
Emily Kinney is an actress, musician, and podcast host. Most people know her as an actress who starred in The Walking Dead from 2011-2015, Masters of Sex, The Flash, Arrow, Law & Order: SVU, and many others. She was also in Spring Awakening on Broadway.
Spotify’s Payment Model and Your Release Timeline
In this episode I discuss the controversy surrounding the CEO of Spotify, Daniel Ek’s comment: "You can’t record music once every three to four years and think that’s going to be enough." I also go into how Spotify’s payment model actually works and if it’s fair or not.
Spotify’s New “Active Audience” Ain’t It, But We’re Getting Closer
Spotify just rolled this out to help you better understand how active your listeners are. But why does it matter and how does it help?