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The New Music Business

Can The Music Industry Be a Safe Place?

This week, Ari is joined by Katie Tucker, Founder of Sharp Edges Records, to discuss advocacy and inclusion in the music industry.

Selling out Clubs With Very Few Followers? This DIY Band Is Making It Happen.

This week, Ari is joined by the band DOUBLECAMP to discuss how they built such a successful independent career.

An Iranian Refugee Became a Hit Producer and Now Finds Humanity with Global Collabs

This week, Ari is joined by alt-pop singer, rapper & multi-hyphenate Noga Erez to discuss the creative process and working with labels.

Billboard Exec on Linkin Park and the state of Music Journalism

This week, Ari is joined by Jason Lipshutz, the Executive Director of Music at Billboard to discuss the current state of music journalism.

Managing Hit Songwriters and Producers

This week, Ari talks to Lucas Keller, the Founder/President of Milk & Honey management about the ins and outs of the publishing industry.

Handling Your Music Finances From a Business Manager and Accountant

This week on the New Music Business, I spoke with Pink Noise’s business manager Khloe Churko, alongside tax preparer and fellow podcaster Stephanie Belcher. We dive deep into the weeds of music industry finances including bookkeeping, 1099s, LLCs versus S Corps, DBAs, how PROs pay artists, and so much more!

How Trousdale Went From 0 to 1M Listeners in 1 Year Independently

Trousdale is a pop-folk trio born out of the USC's popular music program, consisting of band members Quinn D'Andrea, Georgia Greene and Lauren Jones. In this episode of the New Music Business, we discussed what their creation process entails, self-producing their last releases, as well as how they stayed productive during the pandemic and successfully embraced TikTok.

How & Why To Put Music Videos on Vevo

Over the past two decades, David’s work as a performer, talent scout, publicist, and programmer has led him to work closely with an enormous range of artists from the emerging to superstars, playing a pivotal role in artist development and content strategy. With indie rock quartet The Middle Eight from 2007-2016, David performed hundreds of shows, most memorably at The Kennedy Center in DC and in the major motion picture ‘The Rebound.' Most recently, his work as Head of Artist & Label Relations at Vevo has helped to shed light on some of the most talented new artists working today.

Disney Music Supervisor on Placing Music for Trailers

Brian Vickers works on the in-house trailer department at Disney, which they call "The Hive." He's worked on a number of Disney films, including The Avengers, Star Wars: The Last Jedi & The Rise of Skywalker, Black Panther, Soul, Hamilton, Frozen II, Black is King.

Twitch VP of Music: $50K+/yr Only Takes 183 Fans

My guest today is Tracy Patrick Chan. He is currently the Head of Music at Twitch. He is the top honcho; the dude; he's the guy in charge of the direction of all things music at Twitch. He started at Twitch at the beginning of the pandemic in early 2020.
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Latest News

Can The Music Industry Be a Safe Place?

This week, Ari is joined by Katie Tucker, Founder of Sharp Edges Records, to discuss advocacy and inclusion in the music industry.
- Advertisement -spot_img