sync

Brittany Douziech is a film and TV music supervisor with 20 years of industry experience. She has a knack for supervising projects that become festival darlings including the feature film, The Long Game, which won the SXSW Audience Narrative Award in 2023; and the documentary, Body Parts, which premiered at the 2022 Tribeca and AFI Film Festivals. Additionally, Brittany has worked alongside veteran music supervisors Frankie Pine and Joe Rudge on a variety of TV projects, including Netflix’s From Scratch, Hulu’s Life & Beth, Amazon’s A League of Their Own and Daisy Jones & the Six, which was Emmy-nominated for Outstanding Music Supervision.

This week, Ari is joined by Jen Pearce, Founder of Low Profile, a sync licensing agency.

This week, Ari is joined by Raye Zaragoza, a DIY artist who is making waves with her new album, writing for Netflix shows, and has been recently cast as Tiger Lily in the Peter Pan National Tour.

This week on the New Music Business Podcast, Ari is joined by Jessica Vaughn, Head of Sync at Venice Music and President of Head Bitch Music.

This week Ari answers more of your questions! If you’d like to submit to our next round of questions, please sign up to our email list.

Over the past couple years, we've published so many special episodes covering sync and music supervision that we decided to put together highlights of some of our favorite guests.

Established in 2002, Blue Buddha Entertainment is a boutique music licensing firm.

This week Ari answers more of your questions! If you’d like to submit to our next round of questions, please sign up to our email list: www.aristake.com

Our guest this week is music supervisor and Vice President of the Guild of Music Supervisors, Madonna Wade-Reed. Her credits include TV shows such as All American, Batwoman, American Crime, Reign, Blue Mountain State, Smallville, One Tree Hill, plus films such as 8-Bit Christmas, Lovesick, A Thousand Words and the documentary Let It Fall. In this episode, Madonna breaks down her responsibilities within new projects, why it’s vital for artists to educate themselves on licensing, as well as a closer look into why the music supervisors’ movement toward unionizing.

I study the sync licensing realm (getting songs placed in film, tv, commercials, video games - Netflix and the rest) quite a bit. Just in this past year, on the New Music Business podcast, I've had as guests: Music Supervisors: Jen...